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Sunday 30 June 2024

Sasha Festival 2024 Day 2 - Dress a Sasha set up plus dinner guest speaker and souvenirs

After the Children's Fund Auction had finished and the tables which had displayed those items were cleared, the Dress a Sasha entrants were able to set up our displays. We brought our display items (rather large) down to the room using the trolley I normally use for our boxes of street organ music (it is a fabulous multi-purpose trolley which can also be a sack barrow).

There were five categories in action for the 2 themes. Sadly there were no children at this year's festival, and only one teenager, who entered the English Garden assembled by Teenager category on her own. 

The two themes were English Garden and Afternoon tea, with Assembled by or Crafted being the additional elements to split into categories as follows:

English Garden - Assembled by Adult

English Garden - Crafted by Adult

Afternoon Tea - Assembled by Adult

Afternoon Tea - Crafted by Adult

Crafted means all the clothing apart from shoes/socks have to be made by the entrant. 

Assembled by means all the clothing is made by others and the ensemble is assembled by the entrant.

Now that my younger daughter is no longer a teenager, we both entered the English Garden Crafted by Adult. This meant we were competing with each other, however in the months leading up to the festival, we bounced ideas and encouraged each other, it never felt like a competition in our home and I was extremely proud of what my daughter created, especially as she learned so much sewing technique along the way.

I have blogged about what we created in two separate posts: Dress a Sasha created by DollMum's daughter and Dress a Sasha created by DollMum.

Because some people turned up a bit later than others to set up and I wasn't aware of a list of entrants (apparently 18 but only 15 arrived), not all the entries were grouped together in their categories and there was some confusion when a couple of descriptions were hand written on the wrong colour card for the category being entered (we had prepared and printed our descriptions in advance, so did not have that problem). Also there were some entries where the two themes were blended by the entrant and were labelled for one theme, though people might have interpreted them as being in the other theme. For future festivals, to avoid this confusion, I suggest having a printed list of entries in advance so the organiser knows exactly how much table space to allow for each category and each entrant knows in advance what their entrant number will be. If there is ever a Sasha Festival in the UK again and I can attend, please may I organise the Dress a Sasha competition before the festival commences.

Our photos in this post are our Dress a Sasha entries once set up. Photos of the other Dress a Sasha entries will be in a day 3 post, as we were not able to take photos of them until the following morning.

Fair Rosamund and The Secret Garden in the 'English Garden created by Adult' category

DollMum's daughter: Fair Rosamund and DollMum: The Secret Garden 

Fair Rosamund in her garden

Fair Rosamund from the side

Close up of Fair Rosamund's bodice lacing and embroidered waistband

Fair Rosamund in her garden, side view

The Secret Garden

Mary in The Secret Garden

Dickon and Colin in The Secret Garden

Colin tends his tulips in The Secret Garden

Robin, spade, roses, fox and tulips

Fox in the garden

Robin on the spade

Friday evening was dinner together in the conference room, some of us dressed up a bit for the evening. This was the first of the two occasions when we had table hostesses for each table. My daughter and I ended up on a table of 'spares' with no hostess because some people have guests so there is spillage of festival attendees on an additional table, but plenty of hostess gifts, so each of us received a different gift from different table hostesses, which was fun. I was thrilled to receive a gift from Monica J (a pair of her beautifully crafted shoes) and my daughter received a lovely Sasha logo dress made by Laura O.

Trendon Elliott and Melanie came to dinner on Friday evening

After dinner, we had a guest speaker, none other than John Doggart (son of Sara and John Doggart who owned the Trendon doll factory), who presented a fascinating talk with slides about the innovations which had lead to the factory production of the English Sasha doll. The Doggart family and its ancestral branches had clearly been a family of innovators/inventors/engineers and creatives, no wonder the Trendon dolls are so wonderfully crafted. He was also able to show how there was a Milton Keynes connection in the Doggart family story (John is a retired architect and had worked on some of the innovative buildings in the new town of Milton Keynes, he mentioned that Sasha Morgenthaler had visited Milton Keynes). He also explained that John and Sara had first become aware of Sasha dolls via the Graphis magazine, then the Lindt chocolate wrappers.

Friday evening dinner our table

Friday evening dinner

Friday evening dinner

Friday evening dinner

Smiles for the camera at the Friday evening dinner

John Doggart's talk about Sasha and the Innovators

John Doggart introduces Sasha and the Innovators

John Doggart mentions Bletchley Park

John references Milton Keynes innovations

Innovative architecture in Milton Keynes

John and Sara Doggart

Close knit and supportive family of innovators

Friedland contribution to an essential part in the Spitfire

Graphis magazine

Graphis article about features of Sasha dolls
Graphis article about Sasha

Graphis note about good toy manufacture

Technical diagram of innovative head mould for vinyl dolls

Sara Doggart and 
Brenda Walton with a Sasha doll

Geoff Lawton, one of the Trendon innovators


Sasha Morgenthaler gave young Jason Lawton a teddy bear called Pad when she visited the Trendon factory and worked with Jason's father Geoff.


Graphis description of the humanity of Sasha dolls

After John Doggart's fascinating talk, Petrana told us we could open our Festival souvenir boxes. There were lots of gasps of delight when we did because Petrana had made beautiful smocked dresses for each of us, with different fabric, so no two dresses were the same, with matching shoes and underwear. Thank you Petrana, we are delighted with our souvenir outfits. My daughter was very pleased to get a dress which goes well with black shoes, and I'm very happy with the gorgeous pale blue and white pattern and white shoes for my outfit.

My festival souvenir outfit box

My festival souvenir outfit by Petrana - wow!

My daughter's festival souvenir outfit by Petrana - just what she likes

Trudi my C1 Studio doll sits on our table after we had wrapped up our festival souvenirs again

It had been a very long, busy and interesting day at the 2024 Sasha Doll festival.

Sasha Festival 2024 - Dress a Sasha created by DollMum

As soon as I knew the themes for the Dress a Sasha competition at the 2024 Sasha Doll Festival, I knew exactly what I wanted to recreate. Ever since I was nine, I have loved the story of Mary, Dickon and Colin in The Secret Garden. It was so far removed from my childhood experiences growing up in the sunny southern hemisphere, and opened up a new world to me of India and northern England. 

The card on my Dress a Sasha entry says:

The Secret Garden is a children’s novel by Frances Hodgeson Burnett (1911) is which was dramatised in 1975 by the BBC. My grandparents sent me the book in 1978 and I was captivated by the story of Mary, Dickon and Colin who found healing, growing magic in the Secret Garden.

I eventually watched the TV series as an adult and have recreated the outfits worn by the three young actors in that series. The robin which showed Mary the key to the Secret Garden, Dickon’s wild fox and roses beloved by Colin’s late mother all feature in this English garden scene.

1975 BBC production DVD, back cover of my copy of The Secret Garden book, plus the information card about my 'Dress a Sasha' entry

1975 BBC production DVD, front cover of my copy of The Secret Garden book.

I knew this meant making outfits for three dolls (the maximum allowed in the Dress a Sasha rules) and it also meant sourcing fabric to suit the period. 

For Mary's shirt I found a striped shirt I had worn years ago for work and reused the fabric. I had some brown fabric the perfect colour and weight for her dress, and made her a petticoat trimmed with cotton lace. I had a Sasha hat which I trimmed with a large apricot/peach satin ribbon (left over from my wedding). Her long boots were the same Ruth Hartley boots I had used for my 2012 'Ride a Cock Horse to Banbury Cross' Dress a Sasha entry (actually in the BBC series, I could see Mary was wearing ankle boots, but the long boots serve very well).

For Dickon's shirt I had some suitable beige cotton fabric. I used a slightly different brown from Mary's dress for Dickon's waistcoat (ideally I'd have liked to have made his waistcoat in brown leather, but didn't have anything suitable, not even from my husband's pipe organ leather collection) and the vintage button gave it a close enough appearance to being leather. I had to purchase some Yorkshire tweed fabric for his knickerbockers as I didn't have anything suitable, they are made with elastic threaded through the bottoms, so they cling to his legs (also useful for the doll stand pole). I commissioned a pair of black lace up ankle boots from Ruth Hartley for Dickon, as I couldn't find the boots I knew I had (of course, they came to light after the new boots arrived!).

Colin's outfit, which looks in the BBC production like black velvet, was made from some black cotton fabric which has a faint geometric pattern and despite it not being velvet (which would have been tricky to sew at that scale if I had any) gives a sense of him being a privileged pampered boy. I trimmed his jacket cuffs and neck with the same hand made cotton lace I had used for Mary's petticoat. I already had the long white socks and some original Gregor black slip on shoes for him.

I used my blond green dress Sasha doll Miranda for Mary. Both Nicholas James (Colin) and Timothy (Dickon) had the right colour hair for their characters but it was not long enough to suit the styles of the late nineteenth century. So I used an auburn Bebe wig I already had for Dickon and purchased a Bebe wig in brown for Colin, then fitted these over their hair. I would have liked to have curled Dickon's wig a bit, so just made it tousled, which worked fine. 

The next challenge was the garden. I had the backdrop boards all screwed together and cut out some thick card for the back and side walls and the base. I painted the back and side walls to give an approximation of the walls depicted in the TV version of the secret garden. I used the same piece of green felt and the two doll stands trimmed with green felt used for my 2012 Dress a Sasha entry for the base. I needed Italianate pots for the garden, so went to our local Oxfam and found some little pots which I repainted to look like grey stone, with a marbled effect (something I learned to do when set painting for my secondary school production of Annie, back in 1986, when we had painted a marble staircase and the Venus de Milo for Daddy Warbucks!). I actually painted over Wedgewood for the pot in front of Mary! Then, in the spirit of reuse, I raided my garden and used pyracantha twigs for the structure of the climbing and bush roses, tying them together with dark green raffia. I attached miniature paper roses to these twigs using the wire stems of the paper roses (purchased from Papertree, made from recycled paper), and used green tissue paper to give an impression of leaves. A bag of grit from Odells, our local ironmonger/everything shop, provided the ballast needed in the pots to hold the roses upright.

I wanted Dickon to have his fox and Mary to have the robin who showed her the key to the Secret Garden, so I bought a needle felted fox which was made as a Christmas tree decoration and a little needle felted robin (which came without legs) from another seller. I gave the robin legs by bending to shape a black hook from a hook and eye set in my sewing box, then stitched it onto the robin's belly.

I made the spade from a bamboo chopstick, thick card and a cable tie glued and bound to the handle with the green raffia, then painted it. The robin hooks onto the spade handle (part of the painted chopstick) with his hook legs, I was really pleased with how this turned out as the spade and robin legs were last minute creations, only a couple of days before the festival.

Colin's trowel is made from a piece of chopstick and thick card, bent to shape, glued and painted.

The tulips he is tending came from our trip to Amsterdam and Delft in 2018, though I popped their pot into a miniature terracotta pot, and put a rose in a bigger terracotta pot alongside him.

My Secret Garden 'Dress a Sasha' display with books and DVD ready for the Sasha Doll Festival


Side view of Mary's hat, showing the satin ribbon I added

Dickon and Colin

Colin with his trowel and tulips

Colin with his late mother's roses and tulips

Closeup of the trowel I made

Top view of the climbing roses and wall, with Mary and Dickon

Close up of the robin perched on the spade handle


The robin perched on the spade beside Mary


Mary and Dickon, robin, roses and fox


The fox, Dickon and Colin


Roses and tulips in their pots


Roses and the fox


My Secret Garden 'Dress a Sasha' display ready for the Sasha Doll Festival

I had so much fun creating this display, it was enormously rewarding to recreate something I loved from my childhood.